Choosing to delve into the surroundings of my residence in Hataiti, I find inspiration in the diverse flora that graces the front and backyard. The forthcoming trimming of overgrown bushes, hedges, weeds, and flowers presents an opportunity to leverage what would otherwise be discarded, aligning with the principles of sustainability and mindful resource utilisation.
Reflecting on the historical significance of dyes and pigments and the negative environmental impact of modern dye production, my sustainable practice extends to the very fabric of my project. In alignment with my commitment to sustainability, I have decided to thrift the garment to be dyed. This choice further emphasises repurposing and reinforces a circular approach to fashion.
My narrative, seeks to align with the evolving human understanding of our ecological impact. Drawing inspiration from the Anthropocene era and the imperative to coexist consciously with the non-human facets of our world, my project envisions a conscious, harmonious lifestyle in connection with nature. In this day and age there is a growing disconnect between humans and the environment that surrounds us. "While people know that they are somehow connected to and dependent upon the natural world and its life systems, the majority still live apart from it, in terms of their daily routines and practices. This separation from nature is reflective of an anthropocentric worldview." (York, 1) Through my methodology and practice I am getting to know the space that surrounds me in my home.
The sun is a primary source of inspiration in my work. It symbolises a unifying force that sustains all life on Earth. Observing the sunrise and sunset serves as a poignant reminder of this interconnectedness. This profound concept of unity through the sun significantly influences the thematic inspiration behind my collection. The following quote is an has been an influence in creating my garment and collection.
"The sunrises and sets, over land and over us. Time and time again, a continuous loop that goes on forever. It is central and centred, bright and hazy. It talks around us. I think about how it marks the passing of time and its poetic resonance. I think about how it is the only reason we can see colour; without it, we would live in a grey-scaled, monochromatic world." (Morris)
By sourcing dyeing materials from the urban wild spaces in Hataitai, I aspire to create hues and patterns inspired by the uninhibited nature thriving in these spaces. The garment will serve as a tangible representation of the close relationships between the human and non-human worlds, encouraging a conscious exploration of our place within this interconnected ecosystem. In essence, I intend to merge sustainable coloration practices with a profound connection to the environment. Through the conscious decision to thrift the garment, the project advocates a circular fashion approach, embodying a slow living style that consciously acknowledges and celebrates the entwined existence of humanity and nature.
